Using Different Pencil Strokes – Ken Bromley Art Supplies

This is my third short article in a collection of website posts about utilizing colour pencil. In my past articles I protected the dissimilarities in Derwent’s pencil ranges and how to locate your pressure. It is now time to move on to some of the other factors that can affect how your pencils operate. We will be searching at distinct pencil strokes and, in my reward online video, I protect how your decision of surface can alter how your artwork appears to be like.

It’s all about different strokes

Image of different pencil strokes
Right here are a handful of that I use the most in my personal work

Colour pencils can be utilised to make the ultimate realism in your operate or can be unfastened and painterly. It is all about the various strokes that you use to use the pigment that can make the difference as to the textures you will accomplish. When yet again it is essential to apply these tactics so that you recognize which kinds to use where by and when.


Stippling is obtained basically by dotting or tapping your nib to the assistance. A sharp nib will depart smaller dots whilst a blunt or rounded suggestion will leave even larger marks. You can range your force and also incorporate unique colors into the stipples.

I would use this method on something like a dog’s nose.

Lisa Ann Watkins - Mac
Lisa Ann Watkins – Mac


When you want to produce a easy texture then strokes this sort of as back again and forth or scumbling are excellent for this. Back and forth is merely that. You move the pencil in a back again and forth motion making use of a steady, even and restricted laydown with a typical stress. Progressively the levels will make up to establish smoothness.

Scumbling is particularly the similar approach but working with a limited round movement when laying down the pigment. I will use this method anyplace that I want smoothness or a shiny, glassy impact such as on eyes. In this article you can see I built up the shiny eye utilizing a mix of the two strokes until eventually I attain the complete I am aiming for.

Lisa Ann Watkins - eye detail
Lisa Ann Watkins – depth of eye

Hatching & Cross Hatching

Hatching and cross hatching is a good way of performing loosely and making unique types of texture in your function. This pencil stroke entails the laydown of lines parallel to each and every other. You can range the thickness, width between and the stress of these strains. You can also then do a cross hatch which is a further layer of hatching overlaid at a right angle across the original layer. Free circles are also a terrific way of really actually creating more looseness in your work. It also builds up an effect fairly quickly. At the time all over again you can range the pressure and the measurement of your circles doing the job each clockwise and anti clockwise. This is excellent for loose curls like in a poodle or for illustration on this sheep.

Lisa Ann Watkins -
Lisa Ann Watkins – Wallis

Putting stroke

The stroke most involved with generating fur texture is the placing or tapered stroke. As with the other strokes you can fluctuate the stress, way and also most importantly the length of these strokes. This will develop a myriad of unique fur textures. Use a company stress at the foundation of the stroke and then simply just carry and flick absent to develop the taper. This is unquestionably a single to observe and to mix with the other strokes outlined higher than.

Observe will make best and it also will help to establish your confidence in your operate which in turn shines by way of in the concluded piece. Aura listed here is a excellent instance of a mix of scumbling strokes for the eye, again and forth for the chunks of fur and then several, a lot of wonderful tapering strokes for the texture.

Lisa Ann Watkins - Aura
Lisa Ann Watkins – Aura

Debossing or Indenting

Image of embossing technique

A single spin on these procedures is to substitute your pencil for a stylus and then you can indent these marks into your assist in advance of including any pigment. This can then lead to even additional texture and depth to your operate. The finest way to master far more is to get a look at the movie under to perspective all of these strokes in action.

Watch the video clip at?v=hZtInbL7zG0

Enjoy a bonus video about surfaces

As you can see from the information so far, there is a lot that can impact the stop result of a perform designed applying colour pencil. Placing it all jointly let us just take a glance at just one final element that is as huge a element as that of our alternative of pencils to use. This is the paper or aid that you decide on to use. Thanks to the creation of points like grounds and primers it signifies that today you can use pencils on any area from wood to metal. In this last movie of the series I will how you a couple of of the differences amongst operating on some of the ideal identified papers employed with color pencils these days. These are usually referred to as either smooth or textured papers and I also contain the big difference among working on equally traditional white as nicely as black.

You may well be interested in my other website put up about My Essential Derwent Pencil Array & The Colour Pencil Force Check.

Lisa Ann Watkins BA(Hons), AFC, CPCAM, UKCPS is properly regarded in the world of coloured pencils as a multi award successful artist & tutor

In July 2017 Lisa set up her first formal teaching channel on Patreon. Lisa creates in depth videos & created tutorials for her online students each month & now teaches over 300 people today around the planet. She has also just released her first e book with Research Push.  Lisa is a member of the prestigious tutoring groups of renowned artwork educators these kinds of as the SAA & Patchings Artwork Centre. She works closely with Clairefontaine and Grafix and is an formal Model Ambassador for Derwent Art.

You can continue to keep in touch with Lisa on her site Animal Artwork by Regulation and on her instagram or fb webpages.