October 9, 2024

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Art Can't Be Beat

Italian Divisionism: Gazes and Perspectives. A presentation and book signing with author Annie-Paule Quinsac

Italian Divisionism: Gazes and Perspectives. A presentation and book signing with author Annie-Paule Quinsac

06:00 PM &#8211 07:00 PM

Basic Admission: $10 Customers and College students: Free

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In this in human being event, professor Annie-Paule Quinsac will existing her not too long ago-posted e-book, Divisionismo Italiano. Sguardi e prospettive 1880-1920 (Massetti Rodella Editori, 2022). The work is a revisitation of her seminal thesis &#8220La peinture divisionniste italienne. Origines et premiers développements 1880-1895&#8220, mentioned at the Sorbonne in 1968 and released in 1972.

Employing a transversal solution, Quinsac analyses the sociopolitical, historic, and ideological context that characterized Italian divisionism, from Segantini&#8217s Avemaria a trasbordo (1886, the to start with Divisionist do the job), through the Symbolism of the 1890s, and up to the Futurist revolution, underscoring the at any time-shifting interpretations of critics by means of the current.

Artists thought of: Georges Seurat, Paul Signac, Vittore Grubicy de Dragon, Giovanni Segantini, Jean François Millet, Gaetano Previati, Angelo Morbelli, Plinio Nomellini, Giuseppe Pellizza da Volpedo, Emilio Longoni, Attilio Pusterla, Carlo Fornara Ernest Meissonier, Jules Breton, Alfred Roll, Jules Adler Umberto Boccioni, Carlo Carrà, Luigi Russolo, Giacomo Balla, Gino Severini (and other folks simply used for the sake of comparison).

Copies of the guide will be readily available for order.

Light refreshments will be served.

 

Annie-Paule Quinsac is Professor Emerita at University of South Carolina and an art critic. She been given her Ph.D. from the Sorbonne, and taught the historical past of 19th-century artwork for 25 years. She is a primary scholar on the oeuvre of Giovanni Segantini, acquiring published a catalogue raisonné of the artist (Electa, 1982, 2014-15) and a vital version of his correspondence (Cattaneo Editore, 1985). She has curated several exhibitions, both equally in Italy and abroad, which include Segantini. Il ritorno a Milano  (Palazzo Reale, Milan 2014-15)

Community Programming at CIMA is built attainable with the generous aid of Tiro a Segno Basis.

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