Last January, I visited my friends’ ranch in Ingram and painted the Plein air (below left.) The morning was overcast and misty, but as the sunlight peeped over the hills, the sky took on a delicate pink forged. Soon after I returned to my studio I resolved to paint 2 significant paintings from the 1 Plein air and my recollections of the land. The Plein air showed a solid horizontal composition, but when painting it larger sized, I encountered plenty of difficulties that were not apparent in a little format. The line of trees in the foreground stopped your eye from getting into the house guiding, so initial I opened the “wall of inexperienced” with trees that experienced lost their leaves. 2nd, the road at the rear of the opening sets up a curved line to carry your eye back again to the blue hills behind, which picked up the lines major you as a result of the sky. Eyes are likely to follow the light-weight, so it can be often a very good alternative to make the lightest place the higher proper 3rd of the painting. In the Western tradition, we read from remaining to appropriate so positioning the strongest light-weight on the correct even further reinforces that tendency. Transferring the eye around your portray demands that you evolve from your authentic plan and that is a fantastic factor. The 2nd portray (beneath right) is a different remedy to the exact riddle. Painting is just trouble-solving. It can be like a under no circumstances-ending puzzle that in no way leaves me bored.