CMA

Beyond the Wall Text: Contextualizing Carpeaux’s Why Born Enslaved! | by Cleveland Museum of Art | CMA Thinker | Sep, 2022

Beyond the Wall Text: Contextualizing Carpeaux’s Why Born Enslaved! | by Cleveland Museum of Art | CMA Thinker | Sep, 2022

Beyond the Wall Text: Contextualizing Carpeaux’s Why Born Enslaved! | by Cleveland Museum of Art | CMA Thinker | Sep, 2022

Rosario L. Boykin October 4, 2022

By Key Jo Lee, associate curator of American art Some of the reasons why curators place certain...

Artists’ Collections in the Archives: Digitizing Cleveland’s Artistic History | by Cleveland Museum of Art | CMA Thinker | Sep, 2022

Artists’ Collections in the Archives: Digitizing Cleveland’s Artistic History | by Cleveland Museum of Art | CMA Thinker | Sep, 2022

Rosario L. Boykin October 1, 2022

By Sara Kunkemueller, Digitization Intern, Ingalls Library and Museum Archives This summertime, I joined the Ingalls Library...

“TEXTURES” of “The New Black Vanguard”: A Glimpse into the Intersection of Artists Musing on Black Hair | by Cleveland Museum of Art | CMA Thinker | Sep, 2022

“TEXTURES” of “The New Black Vanguard”: A Glimpse into the Intersection of Artists Musing on Black Hair | by Cleveland Museum of Art | CMA Thinker | Sep, 2022

“TEXTURES” of “The New Black Vanguard”: A Glimpse into the Intersection of Artists Musing on Black Hair | by Cleveland Museum of Art | CMA Thinker | Sep, 2022

Rosario L. Boykin September 10, 2022

By Dr. Tameka Ellington, Speaker, Creator, and Cocurator of “TEXTURES: the heritage and art of Black hair”...